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Samuél Lopez-Barrantes's avatar

These are valuable insights, thank you. The point you make about being a self publisher versus an independent one is essential, because as an indie publisher, the “self” is in effect hiring professionals to do everything aside from writing, just like a trad publisher.

I would point out that for me personally, selling a signed limited edition first and foremost via Substack was a revelation. There are readers here. And a 300-500 copy print run is extremely feasible when finding the right printer, especially if one has a vested interest in building and connecting with a literary community / creating a dialogue versus wanting to primarily make money and convince everyone about me-me-me. Writing books is a lifelong act of devotion. Those looking for an ego boost or pay check need not apply for the long haul.

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David Biddle's avatar

What a great addition to the whole question of self-publishing! Those final points are gold. And I love the story you (partially) tell in Note #5. I can't imagine how that whole thing must have felt. Some serious emotional surfing I would guess. I self-published over a decade ago after enough suggestiveness from potential agents and editors. "Not for us. You may want to think about...."

I'd add two things to your notes: 1.) The whole self-publishing equation is in constant development and acceptance and probably will be through the rest of this decade. I say it becomes a more effective business proposition for serious writers sometime in the early 2030s; 2.) Regardless, the biggest problem with selfing is the old saw from agents/editors/publishers about "only submitting 100% never published (even on a blog or social media) work." Pardon my language, and I get the reasoning, but fuck that. I would say, every writer starting out should be required to try their hand at self-publishing. You might be successful, but you will probably mostly wind up depressed and frustrated. That's okay. The business side of all things writerly tends to be depressing and frustrating (and twisted AF). Publishers should want to work with writers who have already been down the road with a major attempt that didn't fly. Ain't nothing in the world of books that can't stand a good, long revision (everything ever published included, I'm afraid). This is so great though no matter what. Anne Trubek knows her stuff folks! That's why I subscribe...

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